Special oktober: Ron Klein Breteler collectie

Schilderijen, aquarellen, tekeningen 1

Kavel 1 Volgrecht / Droit de suite Volgrecht van toepassing

Woody van Amen (1936)

'Taxania I, II and III'
all signed and dated 2007 (lower right) and signed and dated (on the backing)
series of 3 watercolours, each 25x35,8 cm
Provenance: Acquired directly from the artist, Rotterdam 2007.
Exhibited: Stedelijk Museum Schiedam, 'Kunst uit huis V: collectie Ron Klein Breteler', 24.5 - 23.8.2009.
In fifty years, Woody van Amen managed to establish a sensational career with his paintings, sculptures, installations and films. Van Amen received his breakthrough as front man of the Dutch Pop-Art, working in a style that would combine consumer icons and popular visual culture. During his residence in the United States, Van Amen met Pop-Art pioneers like Andy Warhol. His later work shows influences from his travels in Asia, in which he manages to bring together his interest in low culture and spirituality. In 1972 Van Amen published the manifest ‘Nieuwe Romantiek’, in which he turned against existing dogmas that influenced the content of art. Characteristics like the Swiss mountain Matterhorn and the self-invented form Taxat became recurring elements within his work. The coalescence of the expression of image and language, and the huge stratification cannot be summarized in simple words. Recognizable elements and attractive colours evoke feelings of recognition, but also confronts the viewer with the question how the image is related to its meaning.
(Source: Artists’ gallery website)

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€ 600
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€ 800

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Kavel 2 Volgrecht / Droit de suite Volgrecht van toepassing

Woody van Amen (1936)

Untitled (1981)
signed and dated in pencil (lower right)
lithograph printed in colours, numbered 13/50, 56x75 cm
Provenance: Acquired directly from the artist, Rotterdam 1995.

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€ 300
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€ 500

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Kavel 3 Volgrecht / Droit de suite Volgrecht van toepassing

Woody van Amen (1936)

'Shan' (2013)
neon light and engraved acrylic glass on plastic base, height: 36 cm
Provenance: Galerie Ron Mandos, Amsterdam, acquired in 2013.
Literature: Noor Mertens, ‘Woody van Amen & Hidde van Schie. New Romantic Spirit’, exhib. cat., TENT Rotterdam, 5 februari - 19 april 2015, illus. in colour.

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€ 800
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€ 1.200

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Kavel 4 Volgrecht / Droit de suite Volgrecht van toepassing

Woody van Amen (1936)

Untitled
signed and dated 2010 (underneath)
glazed porcelain, numbered 2/5, 40x20x18 cm
Provenance: Acquired directly from the artist, Rotterdam 2011.

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€ 1.500
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€ 2.000

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Kavel 5 Volgrecht / Droit de suite Volgrecht van toepassing

Armando (1929)

'Der Zaun' (1995)
Portfolio with 7 drypoints on Hahnemühle, each print signed and dated 1995, numbered 9/10 on the colophon, 51x65 cm, in original cassette designed by Pan Groenendijk, Amsterdam. Printed by Noa Swaanswijk, Amsterdam.
Provenance: Galerie Liesbeth Lips, Rotterdam, acquired in 1996.

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€ 700
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€ 1.000

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Kavel 6 Volgrecht / Droit de suite Volgrecht van toepassing

Armando (1929)

Damals
signed, titled and dated 8-11-01 (on the reverse)
oil on canvas, 100x80 cm
Provenance: Art Affairs, Amsterdam, acquired in 2002.
Exhibited: Stedelijk Museum Schiedam, 'Kunst uit huis V: collectie Ron Klein Breteler', 24.5 - 23.8.2009.

Richtprijs van
€ 6.000
Richtprijs tot
€ 8.000

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Kavel 7 Volgrecht / Droit de suite Volgrecht van toepassing

Bernard Aubertin (1934-2015)

Tableau Clous
signed and dated 1969 twice (on the reverse)
painted nails on plywood, 30x30x4 cm
Provenance: Galerie De Rijk, The Hague (gallery label on the reverse), acquired in 2012.

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€ 3.000
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€ 5.000

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Kavel 8 Volgrecht / Droit de suite Volgrecht van toepassing

Linda Arts (1971)

'Nr. 209' (2009)
signed and titled (on the reverse)
oil on wood panel, 60x60 cm
Provenance: Hebel 121, Basel, acquired in 2010.

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€ 300
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€ 500

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Kavel 9 Volgrecht / Droit de suite Volgrecht van toepassing

Klaus Baumgärtner (1948 - 2013)

Untitled
signed and dated 2006 (lower centre)
collage on paper, 55x45 cm
Provenance: Galerie Ramakers, The Hague, acquired in 2006.

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€ 300
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€ 500

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Kavel 10 Volgrecht / Droit de suite Volgrecht van toepassing

Charl van Ark (1951)

Musée du Congo VIII (2000)
signed, stamped '7464' and dated 1999 (on the overlap)
oil on canvas, 30x40 cm
Provenance: Galerie Phoebus, Rotterdam, acquired in 2000.
Exhibited: Stedelijk Museum Schiedam, 'Kunst uit huis V: collectie Ron Klein Breteler', 24.5 - 23.8.2009.

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€ 200
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€ 300

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Kavel 11 Volgrecht / Droit de suite Volgrecht van toepassing

David Bade (1970)

Untitled
signed and dated 2000 (lower right)
oil stick on paper, 155x130 cm
Provenance: Stichting Plus-Min, Renesse, acquired in 2000.
Exhibited: GEM, Museum for Contemporary Art, The Hague, 'David Bade - Catch of the day', 20.3-27.6.2010.

Richtprijs van
€ 400
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€ 600

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Kavel 12 Volgrecht / Droit de suite Volgrecht van toepassing

Joachim Bandau (1936)

Fenster 51F
signed and dated 1997 (lower centre) and titled (lower left)
watercolour on Arches paper, 76x56 cm
Provenance: Galerie Phoebus, Rotterdam, acquired in 1997.
Exhibited: Stedelijk Museum Schiedam, 'Kunst uit huis V: collectie Ron Klein Breteler', 24.5 - 23.8.2009.

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€ 1.200
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€ 1.600

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Kavel 13 Volgrecht / Droit de suite Volgrecht van toepassing

Joachim Bandau (1936)

'Fenster 61F'
signed and dated 1997 (lower centre) and titled (lower left)
watercolour on Arches paper,76x56 cm
Provenance: Galerie Phoebus, Rotterdam, acquired in 1997.
Exhibited: Stedelijk Museum Schiedam, 'Kunst uit huis V: collectie Ron Klein Breteler', 24.5 - 23.8.2009.

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€ 1.200
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€ 1.600

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Kavel 14 Volgrecht / Droit de suite Volgrecht van toepassing

Joachim Bandau (1936)

Untitled (2008)
Untitled (2009)
Untitled (2011)
black lacquer on wood (3), 70x30,5x3, 15,2x31,4x1,5 and 28x35x3 cm (three parts assembled)
Provenance: Galerie Phoebus, Rotterdam and Baukunst Galerie, Cologne, acquired in 2008, 2009 and 2011.
Exhibited: Stedelijk Museum Schiedam, 'Kunst uit huis V: collectie Ron Klein Breteler', 24.5 - 23.8.2009.
Literature: ‘Joachim Bandau. Schwarz-Aquarelle - Black Watercolour Paintings’, Wolfgang Becker/ Ferdinand Ullrich (ed.) Aachen 2001, p. 51 one work illus.
Bandau’s lacquer works and his black watercolour paintings produced since 1983 both exploit the principle of layering. For his black watercolour works, he applies washes of strongly diluted paint in several layers onto heavy handmade-paper. Each individual layer is transparent and nearly invisible. The black sculptural wall objects are coated with a special Burmese lacquer. (Source: Artists’ gallery website)

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€ 6.000
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€ 9.000

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Kavel 15 Volgrecht / Droit de suite Volgrecht van toepassing

Simon Benson (1956)

'Unsung Song' (2009)
partially painted MDF-board, number 1 from an edition of 7, 12,5x27,5x3 cm
Provenance: Galerie Phoebus, Rotterdam, acquired in 2010.

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€ 150
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€ 200

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Kavel 16 Volgrecht / Droit de suite Volgrecht van toepassing

Simon Benson (1956)

'Light' (1999)
partially painted MDF-board, 25x7x4 cm
Provenance: Galerie Phoebus, Rotterdam, acquired in 1999.

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€ 150
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€ 200

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Kavel 17 Volgrecht / Droit de suite Volgrecht van toepassing

Simon Benson (1956)

'Heiliger Platz' (1998)
MDF-board, number 5 from an edition of 10, 11x26x4 cm
Provenance: Galerie Phoebus, Rotterdam, acquired in 1999.

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€ 150
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€ 200

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Kavel 18 Volgrecht / Droit de suite Volgrecht van toepassing

Tom Benson (1963)

'Reference' (2011)
pigment and polyurethane binder on aluminium panel, 72x51x2,2 cm
Provenance: Hidde van Seggelen Gallery, London, acquired in 2012.

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€ 3.000
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€ 5.000

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Kavel 19 Volgrecht / Droit de suite Volgrecht van toepassing

Ronald de Bloeme (1971)

'(Black) Gift'
signed, titled and dated 2008 (on the reverse)
enamel on canvas, 120x230 cm
Provenance: Hamish Morrison Galerie, Berlin, acquired in 2009.
Literature: ‘Ronald de Bloeme. Speisereste. Kategorie 3’, Harmish Morrison Gallery Berlin (Ed.), Wuppertal 2012, p. 89 illus. in colour.

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€ 3.000
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€ 5.000

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Kavel 20 Volgrecht / Droit de suite Volgrecht van toepassing

Loréne Bourguignon (1957)

Untitled (1995)
signed in pencil (lower left)
heliogravure, in two parts, numbered 1/5, 47x67 cm
Provenance: Galerie Phoebus Rotterdam, acquired in 1998.

Richtprijs van
€ 100
Richtprijs tot
€ 150

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